Leslie & Alyssa critique the first five pages of Stacy Claflin’s Gone, a Suspense thriller. They discuss how the shifting point of view and resulting irony (where the audience knows something the characters don’t) work brilliantly to increase tension. They discuss adding visceral detail and minor changes to improve the submission.
Want to read on? Get Gone on Amazon now.
Check out author Stacy Claflin's website to see more of her books.
Books to check out:
The Emotion Thesaurus: A Writer’s Guide to Character Expression by Angela Ackerman and Becca Puglisi
Emotion Amplifiers by Angela Ackerman and Becca Puglisi